Turkish filmmaker Nuri Bilge Ceylan‘s ‘Uzak‘ (translated as ‘Distant’) from 2002 adds on to the growing pool of cinema of this century which is distinctly and necessarily in opposition to the mainstream commercial cinematic idiom, typified by the ‘stylized-pop-marketized’ fare out of the Los Angeles area in the USA. Ceylan’s cinema is a cinema of sounds and silences, of doors and windows (our separators from what lies outside, what stays in – who can walk through, who closes, who opens, for what). It is also a remarkably restrained cinema, especially when considering the cinematic excesses that one encounters in the everyday, in the there here and the now. But perhaps more importantly, Ceylan articulates the inevitability of human isolation, the ‘ephemerality’ of relationships (both desired and destructive at the same time), and the potential for urban dehumanization. Watch. (Update: Unfortunately, the full length film upload was taken down by the Tube. This is a trailer, and the ending scene, for you to have a glimpse. I will share the full length film as soon as it is available again.)

Trailer

Ending Scene