Milindo Taid - Part 8

Jenni Sparks and David Robinson: Hand mapping cities

Feb 19

Creative cartographic expressions are a distinct challenge, especially if they have to possibly double up as real word navigational aids as well. There is this tension between creative, expressive liberty and the concrete ‘rootedness’ in directionality, topographic fidelity and cartographic accuracy. The complexity of a project of this nature increases manifold when it is to be hand drawn entirely without rapid erase, undo, redo tools. Precision of line coupled with a quirky ‘sense of humor’, which in turn is married to the larger vision of a macro city to micro map translation, undoubtedly showcase the remarkable skills and abilities of British illustrators Jenni Sparks and David Ryan Robinson. Take a look.

Hannah Arendt: the Language remains. 1964

Jan 31

Hannah Arendt remains one of the leading German-American intellectuals from the last century. In this televised interview with German journalist Günter Gaus from October the 28th, 1964, Arendt (then 58) responds to a wide range of queries centering around philosophy, politics and gender, regarding herself more of a political theorist than a philosopher as she does hint at a ‘disdain’ of sorts for the circle of philosophers. She also reflects on Auschwitz, Germans, Jews and Judaism, assimilation, anti-Semitism, Zionism and Israel, Germany and German. At a particularly telling moment she says “What remains? The Language remains”. For Arendt, history is a chronicle of the exceeding of expectations. As one of Arendt’s formative influences, German philospher Martin Heidegger, stressed, individuals do matter. In this interview Arendt does come across as the charismatic public intellectual that she was, but at the same time, her states of tension over certain contradictions convey themselves as well. Towards the closure, she pays a loving tribute to her mentor, German philosopher and psychiatrist Karl Jaspers, with resonances from her genuinely uplifting work ‘The Human Condition’. Watch.

Doctoral Scholarships: University of Heidelberg, Germany, 2014

Jan 30

The prestigious Graduate School for Humanities and Social Sciences at the University of Heidelberg, Germany, invites applications for doctoral scholarships in the areas of “Cultural dynamics in globalized worlds” and “Self-regulation and regulation: individuals and organizations”.

The requirement is for highly motivated, excellent PhD students with a strong interest in interdisciplinary research. Applicants must hold an M.A. or equivalent in one of the disciplines of the Humanities or Social Sciences with an above-average grade. Excellent knowledge of English or German, in addition to another language, is expected.

Postcards as propaganda: Women’s suffrage movement, 1902-1915.

Jan 17

The battle of the sexes has been waged much longer than we would imagine, here and now. In the early 20th century, the women’s suffrage movement strengthened its foothold across both sides of the Atlantic, and in the face of this visible, growing strength, the (threatened) men in opposition deployed blistering propaganda targeting the opposite sex. The weapon of choice, of course, was the extremely popular postcard. To quote researcher John Fraser (The Oxford Art Journal, October 1980): “that the pictorial postcard was ‘possibly the great vehicle for messages of the new urban proletariat between 1900 and 1914’ (it was cheap to buy and to post, simple to use, and quick to arrive in an age of frequent postal deliveries).” From the blatantly misogynistic to the provokingly laughable, a range of these early pre-electronic mass media propaganda survive to this day. The right to vote was, and still is, a terrain of contestation and negotiation. Take a look.

Ariel Schulman and Henry Joost: Catfish. 2010

Jan 08

I first came across Schulman and Joost’s ‘Catfish‘ a couple of years back, and on revisiting it, I was certainly in a position to appreciate it more. So, what does one have here? A title vaguely hinting at aquatic life of some sort, thrown in with a reluctant, cajoled into participation protagonist, and a Thomson and Thompson constantly urging the unrolling of events in a manner that is worthy of a documentary film. Not quite. Yaniv Schulman, a young Manhattan based photographer, becomes the subject of the cinéma vérité instincts of brother Ariel and friend Henry. What unfolds over the course of film time, and also real time of 8-9 months of the making of it, are concerns of common interest in debates around early 21st century usage of personal and social interactive media. Identity, deception, impersonation and orchestration in the ambit of social engineering on the one hand and loneliness, isolation, pain, love, longing, broken dreams, and friendship in the ambit of the human emotional spectrum, ‘Catfish’ indeed, resonates with a sincerity that is essential to the spirit of cinéma vérité. Like all of the better cinematic achievements of recent times, the film is much about the search for truth. The truth is out there? Maybe not. Watch.

Stan Getz and Charlie Byrd: Desafinado. 1962

Jan 08

STAN GETZ & CHARLIE BYRD - Desafinado (1962) Full-Length and Highest Quality!

Watch this video on YouTube

Polish cine posters: Artist liberation and aesthetic innovation

Dec 11

Apocalypse Now (1979)

Lending considerable prestige to the ‘stick-to-the-wall-and-tear-it-down’ medium of the poster, was the first International Exposition of the Poster held in Krakow, Poland in the fag end of the 19th century, 1898 to be precise. Jan Wdowiszewski, the then director of the ‘Technical Industrial Museum’ authored two essays devoted to the art of the poster, and in conceiving the Poster Exposition, tapped into the artistic vitality of Krakow of that era, and in turn laid the foundations of what will be later internationally known as Polish Poster Art. The artists associated with the initial poster years in Poland were from the Academy Of Fine Arts and were members of the Society of Polish Artists“Sztuka” – there was acceptability associated with creating posters of various kinds, and over the next century, this specific ‘zeitgeist’ saw some of the most remarkable visual expressions through posters, making them an identifiable and essential part of Polish culture. With Polish independence, post First World War, Tadeusz Gronowski, an architecture student at the University of Warsaw rose to the fore as one of the key ‘architects’ of Polish poster art, responding to the needs of an industrialized nation and the urgently required advertising communications. Gronowski’s work was marked by modernist, cubist impulses and an irreverence for visual tradition, a liberating move from the poster styles of the earlier periods. His work was carried further by later architects turned graphic artists from the University of Warsaw. Read More…

Georg Friedrich Wilhelm Hegel: Dialectic and ‘Geist’

Nov 28

In taking Immanuel Kant‘s mind-ordered world from the human level to the cosmic one, 19th century German philosopher Georg F W Hegel created a ‘total system’ into which all past, present, and future experience and thought fit together rationally in an encompassing dialectic that is constantly evolving toward supreme self-consciousness, or ‘Absolute Spirit’. Here Australian philosopher Peter Singer (in his pre bio-ethics avatar, when he was professor of philosophy at the Monash University) discusses the essentials of Hegelian thought and its influence. Hegel’s writings, are, of course famously, notoriously difficult to decipher – leaning into territory that may distinctly be identified as pedantic, pompous, and obscurantist. By the end of the 19th century, most academic philosophers of any stature were ‘Hegelians’, which is to say they embraced, theoretically, the notion of ‘Change’, accepted ‘Strife’ as essential to ‘Progress’, saw things as ‘Parts of a Whole’ and themselves as characters in the ‘Unfolding of History’, and argued dialectically. Read More…

Melbourne International Research Scholarships: University of Melbourne, Australia. 2014

Nov 28

The Melbourne International Research Scholarships (MIRS) is awarded to international students wishing to undertake graduate research degree studies at the University of Melbourne. Each year the University offers about 200 new Melbourne Research Scholarships (MRSs), of which about 150 are normally awarded to international students as MIRSs.

Eligibility criteria:

To be considered for a MIRS, applicants need to apply for scholarship and candidature in a graduate research degree course (eg. masters by research, PhD or other research doctorate) at the University of Melbourne. Both commencing and currently enrolled international research higher degree students may apply. Selection will be based on the eligibility criteria and academic merit.

Applicants will be advised via email as soon as an outcome to their scholarship application is determined.

World Architecture Festival 2013: Winners

Nov 10

The World Architecture Festival took place in Singapore this year and saw around 200 shortlisted projects compete for awards in 30 different categories, from offices and places of religion, to family homes, schools, shopping centers, and future architecture projects. WAF is arguably the most prestigious of architectural honors in the world, and it draws the best of talent from across nations. The shortlisted projects and the wide range of architectural interventions presented in the festival is indicative of the fertility of the built environment, of creative processes and responsibilities accruing to furthering of thinking and doing architecture, in breathing life into spaces and structures for human families, communities, and societies worldwide. Take a look at the top honors.