Inspired by Ansel Adams in his early years, American fine art photographer Dobrowner produces imagery which is ‘painterly’ more than anything else. I am not sure whether that is good or bad, but the end results are grand indeed. The decision to not engage with colour comes from the lineage of Adamsian photographic practice, and also the broad sweep of Dobrowner’s vistas puts the viewer in a unique privileged position. Take a look.

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