Al Di Meola: Mediterranean Sundance. 1977
1977 | Al Di Meola: Guitars | Paco de Lucia: Guitars
1977 | Al Di Meola: Guitars | Paco de Lucia: Guitars
1997 | John Scofield: Guitars | John Medeski: Organ, Clarinet, Piano | Chris Wood: Bass | Billy Martin: Drums, Tambourine
1963 | Ben Webster: Tenor Saxophone | Joe Zawinul: Piano | Thad Jones: Cornet | Sam Jones: Bass | Philly Joe Jones: Drums |
1995 | Trilok Gurtu: Drums, Tabla, Voice, Claydrum and Percussion | Bill Evans: Tenor Sax, Soprano Sax | Mark Feldman: Violin | David Gilmore: Guitar, Voice | Andy Emler: Piano, Electric Piano, Synthesizer | Chris Minh Doky: Bass, Voice
1991. Scott Henderson: Guitars, Guitar synthesizer | Gary Willis: Bass, Bass synthesizer | David Goldblatt: Keyboards | Joey Heredia: Drums | Brad Dutz: Percussion
1976 | John McLaughlin – Guitars | Lakshminarayana Shankar – Violins, Vocals | Zakir Hussain – Tabla | Vikku Vinayakram – Ghatam, Vocals
1977 | Lead Vocals: Donald Fagen | Backing Vocals: Michael McDonald, Paul Griffin | Guitar: Steve Khan | Solo Guitar: Jay Graydon | Bass: Chuck Rainey | Drums: Rick Marotta | Lyricon: Tom Scott | Electric Piano: Paul Griffin | Clarinet: Don Grolnick | Percussion: Victor Feldman, Gary Coleman
1990 | Eric Johnson: Guitars | Tommy Taylor: Drums | Kyle Brock: Bass
The work of late French historian and philosopher Michel Foucault wields a wide and considerable influence on structuralist and post structuralist thought across a broad range of disciplines in philosophy, humanities and social sciences, to this day. I was quite excited to hear Foucault’s voice in this, articulating his thoughts as only he can. The ultra heavy French accent takes a while to listen in to, but once you do, the ride is great. He examines Western culture’s conceptual development of individual subjectivity. Recorded at the University of California, Berkeley, April 1983. (Note: There are some distortions in the audio once a while (sound sped up), but the ‘rough patches’ get over quickly.)
1973: John McLaughlin: Guitar | Rick Laird: Bass | Billy Cobham: Percussion | Jan Hammer: Keyboards, Moog synthesizer | Jerry Goodman: Violin |